Workshops

Teaching the Setar

Instruction in the setar is grounded in the classical texts of Iranian instrumental music, above all the Radif of Mirza Abdollah. These classes are intended for intermediate and advanced students. For further information, please follow the link provided.

Philosophy of Music

1. What does it mean to think music, and why must one do so?

2. On defining music and reflecting on its significance

3. Is the age of Dastgāhi music drawing to a close?

4. The motives of music

5. Music in the thought of Nezami Ganjavi

6. On the singular character of the setar and its distinction from other instruments

7. Toward a deeper understanding of music through literature

8. The musical dimensions of the Ney-nāmeh, the opening of the Masnavi-ye Ma’navi

9. Baba Taher and Iranian music

10. On the meaning of education and music education

11. A reflection on the present deficiencies of instrumental music education

12. On becoming a worthy student of music

13. On becoming a worthy teacher of music

14. On the meanings of technique in music

15. Knowing the work of art through its effect, not through structure alone

16. Reflections on style and stylology, with special attention to contemporary setar playing

17. A return to older writings on Iranian music

18. On the vocabulary of Iranian musicians: an examination and critique

19. The foundations of music criticism, with examples

20. The archaeology of music and the archaeology of silence

21. On silence

Cultivating Reading and Writing Skills

Interpretation and reflection on the thought of Rumī.